Goan Waves
The edit moves through dozens of projects, different locations, different ecosystems, different people, all cut to music in a way that feels continuous rather than assembled.
Footage from every kind of camera is in there, including 360-degree footage that I integrated into the cut through a VR glasses sequence. The showreel has since brought in new clients and larger projects for the company. I also manage the entire Felis Films archive behind the scenes, roughly one petabyte of footage built up over fifteen years, keeping it organised and accessible so that material from any project at any point in the company's history can be found when it's needed